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The Kids Are All Right

The Kids Are All Right ranks with the most compelling portraits of an American marriage, regardless of sexuality, in film history. Even more remarkably, it's an overwhelmingly affirmative warts-and-all portrait, not a Bergman-style descent into the pit of marital darkness. Watching two of our finest actresses playing unglamorous, flawed and complicated women is a rare privilege, and in virtually every moment and every breath of The Kids Are All Right we feel that Nic and Jules have created something that, damaged as it is, must be saved.

– Andrew O’Hehir, Salon